![]() ![]() He remains mostly off-camera–clearly, they want him to be an undefined presence in this video, presumably so people can imagine whoever they want to be standing in his shoes. This profile shot is our clearest view of Iggy so far. Whitney and Iggy sit at a coffee bar with two mugs. We eventually wheel around to a studio door, which opens, revealing a silhouetted man wearing a suit: hi, Iggy!Ī transitional shot of Houston walking around her dressing room, showing off her legs, leads us to more flashbacks: Whitney puts on a big white hat, while Iggy inspects the brim. The camera pivots around her and the microphone she keeps turning with it so she can sing into the lens. She’s got her hair up, a blouse with a plunging neckline, and some extra-glossy lipstick. We hit the chorus, and go back to black-and-white: Houston’s in a studio, singing into a microphone dangling from the ceiling. Nevertheless, Houston looks totally cute: at age 24, she still had her baby fat and a bit of a dewy look, as opposed to the terrifying lich-diva she would become. She, by the way, is wearing a very short black dress with a white wrap around the shoulders: it looks so constricting, I’m a little surprised she can get that flower up to her nose. She holds the flower to her nose and smiles, pleased that her sense of smell still works.īack to the color stock and the present day, where Houston puts one of the delivered white roses to her nose, and then leans her head back, overcome by emotion. Next flashback: Iggy (off-camera) gives Whitney a white rose. You know how the hours just fly by when you’ve had a bit too much water. They appear to be drinking glasses of water. In the foreground, chairs have been put upside-down on the tables, telling us that these crazy kids have been talking for so long, they’ve lost track of the time. He’s shot over the shoulder, but he seems good-looking enough. ![]() Houston gazes off forlornly into the distance and closes her eyes: looks like it’s time for a flashback! Dissolve to a black-and-white sequence of Houston on a date at a café. So the central mystery of the video is revealed: What does the “I” stand for? Ike? Isabel? Iggy? Perhaps Houston has adopted the Rastafarian concept of “I and I” and has sent herself the flowers? ![]() We see a closeup of the handwritten note (which also reveals that Houston’s manicure features clear polish and is quite restrained): “Goodbye / XXX / I.” She opens the box to reveal a bouquet of white roses and pulls out an envelope. In the dressing room, Houston sits down by an old-fashioned backstage mirror. As if that weren’t rude enough, she takes the box without tipping the guy. When she sees who it is, her face falls and she pouts. The deliveryman doesn’t knock, but Houston opens the door anyway, smiling and excited. This implies that Houston’s abandoned her pop-music career in favor of starring in a Broadway show–or maybe she has “venue will provide artist with a specially made door with personally engraved glass” written into her contract rider for wherever she performs. Nonetheless, some music enthusiasts described the song one of the classiest singles to be released in the 1980s.Īnd accordingly, over the years, some top musicians have recorded different versions of this song.A deliveryman stands outside Whitney Houston’s dressing room: we can tell it’s her room because it’s got “WHITNEY” and a star engraved on the frosted glass. In her response, the singer strongly defended the lyrics. It lyrics were criticized for the fear that it would have a bad influence on children. In 1986, it earned two nominations at the Grammy Awards.Īs one of her popular singles, Houston performed this song at a number of prominent shows and events, including the maiden edition of the Soul Train Music Awards.ĭespite its popularity, the song received some negative publicity. Furthermore, it went on to sell more than 25 million units the world over. For example, in August 1985, it reached number three in the United States. The song is considered as one of the singer’s most significant hits, considering how brilliantly it performed on some well-known charts. Actually this song is considered La La’s best known work. It’s official writer is an American singer and songwriter by name of La Forrest Cope (aka La La). In addition to this track, Whitney’s “Whitney Houston” album birthed six singles, including the following:Īs usual, Whitney didn’t write this track. Whitney released this in February 1984 as one of the singles from her self-titled first album. “You Give Good Love” centers on finding a suitable partner who meets a person’s expectations and treats them as respectable as they’d love to be treated.
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